Principal Photography

Hey there, crime kids. TGIF. It's time once again to take a trip to the dark side, where your most violent fantasies become sins of the flesh, right here, where the hardboiled action is non-stop, at the coolest crime joint in cyberspace ... at That Killing Feeling.

In Chapter 21 of DAZED, BEAUTIFUL & BRUISED, homicide detective Carrie Love eavesdrops on porn producer Dina Daerr, and discovers her big secret ...


EXT. OCEAN AVENUE - NIGHT
Dina’s 100k convertible cruises
past the Santa Monica pier.

The sleek German vehicle
slows, makes a turn into --

EXT. DINA’S BEACH HOUSE - CONTINUOUS
A big, Cape Cod-style place
on a primo lot on the beach.

The Benz pulls in. Parks.
Dina gets out. Goes inside.

ON THE STREET
Ilona’s black ghost
pulls up to the curb.

INT. DINA’S BEACH HOUSE - LIVING ROOM - CONTINUOUS
The rumpled beauty throws off her purse,
pick up a remote, punches on MUSIC --
some 60’s swinging cocktail croon.
Happily swerves down a hallway.

IN THE KITCHEN
She POPS the cork off a bottle of wine.

IN THE VAN
They listen on headsets.

ILONA
Someone’s getting a buzz.

CARRIE
The question is -- is she alone?

IN THE KITCHEN
She dials a number on her cell.
Sips her merlot.

DINA
Klaus?

SPLIT SCREEN WITH:
INT. KLAUS SPEER’S STUDIO - EDIT BAY - AT THE SAME TIME
Klaus barks into his headset, eyes flashing.

KLAUS
You’re late. Do you have
any idea how bad you’ve been?

DINA
(bows head)
I’m sorry -- sir.

KLAUS
(SLAPS the counter)
Did you bring home the dailies?

DINA
I’m afraid I -- I --
(beat)
Left them at the studio.
I, uh -- forgot.
We had an -- an emergency.

KLAUS
You forgot?
You left them at the studio?
(ominous)
What kind of emergency?

Pause.

DINA
I -- shot someone. Killed them.
It was a mistake -- they weren’t
supposed to be real bullets.

KLAUS
You nasty -- filthy --
dirty little girl.
How could you do that.
After all I’ve done for you.
I can’t begin to express
my disappointment. My complete dismay.
(beat)
Such a bad, bad girl.
Do you know what we do
to dirty little bad girls?

INSIDE THE VAN
Silence. Dina breathes heavily.

DINA (O.S.)
You -- you --

CARRIE
(aroused)
What?

Ilona stares at her.

CARRIE (CONT'D)
What. Don’t look at me like that.
(beat)
You’re taping this, right?

IN KLAUS’ STUDIO
He smiles into the wireless
clipped to his leather jacket.

KLAUS
We start principal photography.

ACROSS THE ROOM
Laura sits in a director’s chair.

Sips from a glass of wine.

LAURA
And let the bodies
fall where they may --