Dead Weight

Hey there, crime kids. Happy Monday. It's time once again to take a trip to the dark side, where your most violent fantasies become sins of the flesh, right here, where the hardboiled action is non-stop, at the coolest crime joint in cyberspace ... at That Killing Feeling.

In Chapter 11 of BLUE HOTEL, drug dealer Beggar Leck, hooker with a heart of coal Alona Tal and wannabe writer Holly Land count their cash to see if they have enough to pay the Russian gangsters to get rid of the dead body in Alona's hotel room ... but when they find out Alona's trick Gill is on his way over, they realize they need to hide the body ...


EXT. STARLIGHT HOTEL - PARK BENCH - NIGHT
Feo sits on the bench.

Watching the commotion
at the crime scene.

Starts flipping through websites
on his smart phone.

FEO
(looks)
Maybe I can find something about it --
(stares)
Holy SHIT.

ON THE PHONE
We see the robbery at
Davey Jones’ Liquor Locker
unfolding in grainy black and white.

And there’s our plucky little killer,
Holly -- blowing gang-banger’s brains out.

FEO
Stares at the screen.

FEO
I just SAW her somewhere.

Gill walks up to the bench
carrying a suitcase.

Gestures toward the news vans,
the cops, the onlookers.

GILL
What’s going on over there?

FEO
Liquor store holdup.

GILL
Why all the media?

FEO
Three people were killed.
Tworobbers and the clerk.
(looks at the screen)
What I can’t figure out
is how the girl was involved.

These guys were serious gang-bangers,
and she looks like Tori Amos.

INT. ALONA’S SHITTY HOTEL ROOM - AT THAT MOMENT
Beggar shuts off his phone.

Looks at Alona and Holly,
sitting on the bed together.
Sipping vodka in their plastic cups.

BEGGAR
It’s all set.
Vlad’ll be here at five AM.
Problem is, he wants
five grand to take care of it.

ALONA
FIVE THOUSAND?
We don’t have that kind of scratch.

BEGGAR
How much do you have?

ALONA
I’ve got a couple hundred saved,
but that’s for an emergency.

BEGGAR
What the fuck do you think THIS is?

ALONA
Alright, alright.
Don’t get your speedo in a bind.

She gets up goes to the desk.
Opens up a drawer.

Takes out a book. Opens it.
We see it’s hollowed-out.

She pulls out a wad of cash.
Starts counting it.

BEGGAR
(to Holly)
What about you?
How much do you have?

HOLLY
I don’t know -- about fifty bucks?
I don’t get paid at the book store
until day after tomorrow --

BEGGAR
Well, you better figure out
how to get more, because YOU
got us into this mess.

Alona finishes counting.
SLAPS the money in Beggar’s hand.

ALONA
Three hundred and twenty-six bucks, bucko.
Don’t spend it all in one place.

BEGGAR
Okay, so with Gidget’s fifty bucks,
we’re close to four hundred --

He takes out his wallet.
Counts his money.

BEGGAR
I’ve got hundred and ten --
(grins)
Wait a minute.
I’m freaking out, I’m not thinking.
I just got a bag of blow to sell.
I’ll make some calls --
(thinks)
Yeah. There’s that yuppie lawyer
asshole in Santa Monica --
(looks at Holly)
And if Gidget here can dig up some more,
we might be okay.

HOLLY
How am I supposed to get more money?

ALONA
Lay off her, Beggar.
She’s just a kid.
I can turn a couple of tricks --

A soft KNOCK-KNOCK-KNOCK at the door.
They all look at each other, scared.

GILL (O.C.)
Alona? Are you in there?
It’s me, Gill. Donna kicked me out --

ALONA
(whispers)
What the fuck?
(goes to the door)
Right now’s not a good time, Gill.
I’m kinda busy.

BEGGAR
(whispers)
Gill? The teacher? The trick?
(off her nod)
Tell him to meet you in the bar,
we’ll get outta here,
and you can do him.

GILL (O.C.)
Alona?

ALONA
I have company, Gill.
Beggar’s here.
Meet me downstairs in the bar
in a couple minutes, okay?

GILL (O.C.)
Okay, okay -- thank you, my love.
I’ll see you down in the bar.

BEGGAR
(looks at Holly)
Okay, we’re outta here.

HOLLY
What about --
(points at the body)
Him?

BEGGAR
Shit.
(thinks)
Under the bed.
(to Alona)
C’mon, help me.

ALONA
Over my dead --
(beat)
Okay.

Beggar and Alona each take an end
of Oscar’s body.
Start to slide it toward the bed.

ALONA
He’s so -- stiff.

BEGGAR
Why do you think they call it
a fucking STIFF?

They start to push him under the bed,
but his stomach’s too big.
Doesn’t quite fit.

ALONA
Shit.

BEGGAR
C’mon, PUSH.

Beggar and Alona put their hands
on his side, and PUSH.

It doesn’t move.

BEGGAR
HARDER.

They PUSH again. Nothing.

HOLLY
Let me try.

ALONA
You fucking kidding me?

BEGGAR
(stands back)
Be my guest.

Holly takes a few steps back,
races toward the body,
and KICKS it with animal strength.
It POPS under the bed, THWUNK.

ALONA
Holy shit.

BEGGAR
How did you --

HOLLY
(faint smile)
Used to play soccer.

Alona pulls the bedspread down, hiding it.

ALONA
Okay, you guys split.
Time for me to get in character.

BEGGAR
Oh, yeah? What character?

PUSH IN ON Alona.
Resigned to her fate.

ALONA
Used to be Lady Madonna.
(beat)
Now it’s Lady Macbeth --