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Monday, May 11, 2015
Have Robbery, Will Travel
Hey there, crime kids. Happy Monday. It's time once again to take a trip to the dark side, where your most violent fantasies become sins of the flesh, right here, where the hardboiled action is non-stop, at the coolest crime joint in cyberspace ... at That Killing Feeling.
In Chapter 6 of BABY HEISTER, Kelsey gets into an argument with Doc because he doesn't want her to become a bank robber like her parents. She then storms out into the night and heads over to the local dive bar, where she runs into Ray Stark, the mysterious stranger she met at her parents' wake ...
INT. DOC'S FARMHOUSE - LIVING ROOM - NIGHT
Doc sits in ‘his chair.’
Kelsey sits on the couch, next to Jo, asleep.
They’re watching a movie on TV, eating popcorn.
ON THE SCREEN
We see a scene from
Stanley Kubrick’s THE KILLING.
A gang of MASKED THUGS
are robbing a race track.
Then, a station break.
Some LOCAL CAR SALESMAN comes on,
hawking prices 'nobody can beat.'
KELSEY
Looks at Doc.
KELSEY
So how come you don’t want me
to be in the family business?
DOC
It’s a hard life, Kelsey.
It’s no place for a young woman.
KELSEY
But what if it’s what I wanna DO?
(off his look)
Nothing you can say is
gonna make me change my mind.
DOC
Oh, is that right?
What about what happened
to your parents?
KELSEY
They were careless. I’ll be smart.
It’s in my blood, Doc. My DNA.
If I had to be cooped up in an office
doing some meaningless shit,
I’d fucking shoot myself.
DOC
You think it’s noble, cool --
like in those books you read.
But it’s not. It’s a living hell.
I still have to watch my back.
Even though I'm retired,
there's always a chance someone
will turn up from the
past and cause trouble.
Someone who thinks
they got a raw deal --
or wants to steal my stake.
And then there's the law.
Any day now some cop
could come snooping around --
and I’ve gotta live with that
the rest of my life,
always looking over my shoulder.
KELSEY
But if you did it
my PARENTS did it, why can’t --
DOC
Because I’m your legal guardian now,
and while you’re living in MY HOUSE,
you’re gonna go back to school
and get your degree. Tomorrow morning
Jo is taking you to school
and get you registered.
I want you to have the chance
that none of us had. GOT it?
KELSEY
But I don’t wanna DO that.
It’s not FAIR.
DOC
FAIR? LIFE isn’t fair.
Griff and Chelle are DEAD. Is THAT fair?
(looks at the TV)
Now hush up. Movie’s coming back on.
Kelsey scowls. Face a dark cloud.
EXT. DOC'S FARMHOUSE - NIGHT
The house and the yard look spooky.
Ethereal in the moonlight.
A harsh desert wind
whips through the yard.
The front door OPENS.
Out comes Kelsey.
Rakish in her usual uniform.
This time with a slash of red on her mouth.
She walks over to Doc’s pickup truck.
Gets in. Drives off.
EXT. DIVE BAR - NIGHT
The kinda joint only the locals hang out at.
A row of motorcycles gleam ominously
under the dirty, old neon sign that reads LOUNGE.
Faint music bleeds out from within.
Doc’s pickup pulls in.
Finds a space. Kelsey gets out.
SLAMS the door.
Saunters toward the entrance.
INT. DIVE BAR - NIGHT
Dark and smoky. The kinda place
your momma warned you about.
BLUE COLLAR WORKERS, BIKERS
and other assorted riffraff.
A pair of BRUISERS play pool.
Kinda quiet on a Sunday night.
Kelsey sidles up to the bar.
Slides onto a stool.
The FREAKISHLY LARGE BARTENDER
spies her. Comes over.
Smiles. Not a pretty sight.
FREAKISHLY LARGE BARTENDER
Whataya have?
KELSEY
Double shot of Kessler’s. Heinekin back.
He nods. Turns to get her poison.
MALE VOICE (O.C.)
I figured you’d be more of a
Jack and Bud kinda gal.
Kelsey, turns, sees --
RAY STARK
Sitting on the stool next to her.
Nursing a tumbler of scotch.
Eyes twinkling with mischief.
Or danger. Maybe both.
KELSEY
You’re the guy from the wake.
Freakishly Large serves her drink.
She slide over a bill.
He SNAPS it up in a meaty paw.
Lumbers over to the register.
RAY
'The guy from the wake.' Wow.
Nice to know I’m that memorable.
KELSEY
So I forgot your name.
Well, I’m SORRY, but when you
just went to your parents’ FUNERAL,
sometimes your MEMORY’S not so GOOD.
She grabs her shot glass.
POUNDS it. Grabs her beer.
Takes a big gulp. Turns around,
facing the other direction.
RAY
Hey, I’m sorry.
I was just busting your chops.
You had a stressful day.
Probably met a lot of corny,
old colorful criminal types.
I’d be cranky, too.
Kelsey turns back.
Narrows her eyes.
Is this guy for real?
RAY
Let me buy you a round.
Make it up to you.
No hard feelings?
(raises his drink, low)
One heister to another --
Her eyes flicker.
KELSEY
Okay.
(trying to be casual)
So you used to work with my parents?
Ray motions to the bartender
for another round.
Pulls out a pack of smokes.
Lights one up with a CLICK of his Zippo.
RAY
Long time ago.
When they were first starting out.
Did a couple jobs with them.
KELSEY
Wow. Cool.
RAY
First and only time I worked
with a married couple --
KELSEY
What were they like to work with?
RAY
Total pros. Cool as cucumbers.
(sips his drink)
Is it true they never got caught --
until the last job?
KELSEY
Yeah. My grandfather, too.
(sips her beer)
He’s retired now.
But I guess you knew that.
RAY
(nods)
So I guess you’re now living with him --
KELSEY
Yeah. And it fucking sucks.
I asked him to teach me, but he refused.
He’s making me finish school.
I’d rather fucking DIE.
Ray’s eyes flicker.
He takes a long sip of his cocktail.
Takes a drag of his cigarette.
Squints through the smoke.
RAY
Maybe one of these days
I could show you a thing or two.
KELSEY
You mean it?
RAY
From where I sit, it looks like
you’ve already got your mind made up --
and nothing’s gonna stop you.
Kelsey smiles.
It lights up her face
like we haven’t seen.
KELSEY
Damn straight.
(beat)
Thanks, uh --
RAY
Ray Stark, at your service.
(beat)
Have robbery, will travel.
Friday, May 8, 2015
Requiem For A Robbery
Hey there, crime kids. Happy Friday. It's time once again to take a trip to the dark side, where your most violent fantasies become sins of the flesh, right here, where the hardboiled action is non-stop, at the coolest crime joint in cyberspace ... at That Killing Feeling.
In Chapter 5 of BABY HEISTER, Kelsey attends the wake for her parents with her grandparents Doc and Jo, but gets distracted by Ray Stark, a dark-haired stranger who says he 'worked' with them ...
EXT. DOC'S FARMHOUSE - BACK YARD - DAY
The joint is filled with
MOURNERS from the funeral.
But now the mood is different.
It’s a traditional wake.
They’re laughing, drinking, reminiscing.
Jo walks around with a tray,
passing out snacks.
Doc stands behind the
bar making drinks.
Ray slides up to the bar.
Lights up a smoke.
Looks at the crowd.
Then at Doc.
RAY
Pretty good turnout.
DOC
I don’t think we’ve met.
RAY
(puts out his hand)
Ray Stark. You must be Doc.
DOC
(takes it, shakes)
What are you having?
RAY
What kinda scotch you got?
DOC
Johnny Walker Blue.
RAY
(nods)
Neat.
Doc nods.
Turns, gets the bottle,
a glass, pours one.
Hands it to him.
Ray takes it.
Takes a sip.
Nods. Winces.
DOC
How did you know
Griff and Chelle?
RAY
Worked together a
couple of times.
DOC
Funny.
Don’t remember ever
hearing your name.
RAY
It was awhile ago --
DOC
I’ve got a pretty good memory.
Kelsey sidles up to the bar
with an empty beer bottle.
KELSEY
Can I get another?
Doc nods. Grabs a bottle.
POPS it open. Hands it to her.
She takes a long slug.
Wipes her mouth with her sleeve.
RAY
You must be Griff
and Chelle’s daughter.
KELSEY
Who wants to know?
DOC
This here’s Ray Stark.
Says he used to work
with your parents.
KELSEY
You’re a HEISTER?
Ray makes a keep it down
motion with his hand.
RAY
Careful.
You don’t know who might
be snooping around.
KELSEY
Sorry.
(low)
What was it like to
work with my parents?
JO (O.C.)
Kelsey?
Could you come help me?
I need to make some more
pigs in a blanket.
Reveal JO.
Standing nearby with an empty tray.
Kelsey sighs. Looks at Ray.
Then Doc, who gives her a look.
KELSEY
Sure thing.
She finishes her beer.
Puts the bottle on the bar.
Follows Jo toward the house.
Ray watches her go.
RAY
That’s quite a fine filly.
DOC
She’s eighteen.
Ray smiles secretively.
Sips his scotch.
Eyes flicker.
RAY
Looks more like her mom
than her dad, don’tcha think?
DOC
You stay away from her.
Hear me?
RAY
Hold on there, cowboy.
If I didn’t know better,
I’d think you were threatening me.
DOC
Now you’re catching on.
Thursday, May 7, 2015
Death Becomes Her
Happy Thursday, crime slicksters. It's time once again to take a trip to the dark side, where the girls are hot, the drinks are cold, and the hardboiled-pulp-noir action is non-stop, right here, at the coolest crime joint in cyberspace ... at That Killing Feeling.
In Chapter 4 of BABY HEISTER, after the Yakuza gang kills Griff, Chelle and the rest of the gang and makes off with the loot from the bank job, Kelsey discovers the truth -- that her parents were indeed heisters. The next day, Kelsey mourns their death, and vows to get revenge --
INT. BANK - NIGHT
Just as Griff walks
Bank Manager past Chelle,
the gang SQUEALS into the bank
and starts FIRING at everybody.
Griff and Bank Manager
get SHREDDED TO RIBBONS.
Atlas and Zvi RUN.
Chelle gets HIT
with MACHINE GUN SPRAY.
Her body JERKS like a puppet
in a dance of death.
INT. DOC'S FARMHOUSE - NIGHT
Doc, Jo and Kelsey sit
at the kitchen table,
the remains of dinner strewn about.
Having pie and coffee.
KELSEY
You can deny it all you want,
but I know the truth.
I found your scrapbook.
DOC
What scrapbook?
KELSEY
The one under your mattress.
DOC
What were you doing SNOOPING
around in my bedroom?
KELSEY
I was looking for your stash.
I hadn’t found a connection yet.
(big smile)
You were quite the heister.
Doc stares. Speechless.
The phone RINGS. Jo gets up.
JO
I’ll get it.
(answers it, listens)
Oh my god.
(turns and looks)
Doc?
DOC
What’s wrong?
JO
Griff and Chelle --
KELSEY
(turns white)
What.
JO
They’re dead.
(looks at Kelsey)
They were -- trying to rob a bank.
EXT. CEMETERY - DAY
Very old. Some graves and crypts
overrun with vines.
A pair of BLACKBIRDS
sit on a tombstone, watching --
A FUNERAL in progress.
A cluster of MOURNERS DRESSED IN BLACK
surround a pair of freshly-dug graves.
Twin high-end CASKETS sit inside them.
Piled with bouquets of flowers.
Jo holds onto Doc, stoic, both
dressed in their Sunday finest.
Kelsey stands next to them.
Looks out of place in black leather,
denim and mirrored shades. Smoking.
The MINISTER (50’a) stands near the casket.
More than a few of the MOURNERS
look a little shady.
That’s because they are,
being Hazard family coworkers.
CAMERA
Finds one of them,
standing off to the side.
Tall and dark.
Like Kelsey, wearing a
black motorcycle jacket and shades.
Meet RAY STARK (35).
Think a RESERVOIR DOGS-era Michael Madson.
Tough-looking, with that air of danger.
He lights a cigarette
with a CLICK of his Zippo.
Blows a cloud of smoke.
KELSEY
Turns her head. Looks at him.
Then back at the caskets.
CLOSE ON --
Her face.
A tear slides down her cheek.
Wednesday, May 6, 2015
Me Rob You Long Time
Hey there, crime kids. Happy Hump Day. It's time once again to take a trip to the dark side, where your most violent fantasies become sins of the flesh, right here, where the hardboiled action is non-stop, at the coolest crime joint in cyberspace ... at That Killing Feeling.
In Chapter 3 of BABY HEISTER, Griff and Chelle drive their armored car into the bank through the front window and start robbing it ... but things get a little tricky when a vicious Yakuza motorcycle gang drives by and decides to rob the robbers ...
EXT. DOWNTOWN LOS ANGELES - CITY STREET - NIGHT
There’s a RIOT going on. Complete mayhem.
LOOTERS smash windows.
RUN down the street with stolen goods.
A GANG-BANGER throws a MOLOTOV COCKTAIL
at a police car. It EXPLODES.
EXT. CITY STREET - NIGHT
The armored car turns a corner.
IN THE ARMORED CAR
Griff speaks into his headset.
GRIFF
Eagle, this is Houston.
Prepare for impact. Over.
IN THE REAR
Chelle nods. Speaks into her headset.
CHELLE
Copy that. Over.
(to the rest)
Buckle up. It’s gonna be a bumpy heist.
Everyone SNAPS on shoulder harnesses
that crisscross their torsos.
Pull their caps down over their faces
until they become ski masks.
One by one, they give a thumbs up.
EXT. BANK - NIGHT
The First National Bank of California.
A beautiful building.
Facade is two stories
of shiny glass and mirrors.
EXT. CITY STREET - NIGHT
The armored car pulls up
in front of the bank,
looks like it’s going to park,
but instead makes a turn,
BUMPS over the curb --
-- and starts HEADING RIGHT TOWARD IT.
IN THE FRONT
Gino and Griff slip on MOTORCYCLE HELMETS.
IN THE BACK
Everyone BRACES for the impact.
EXT. BANK - NIGHT
The armored car reaches the facade, and --
IN SLOW MOTION -- CRASHES THROUGH with a BANG.
Glass and debris go FLYING.
INT. BANK - NIGHT
BANK CUSTOMERS RUN for cover. SCREAM.
The armored car stops.
The doors FLY OPEN.
Everyone PILES OUT.
Gripping automatic weapons.
Griff blasts a SPRAY OF BULLETS
at the ceiling.
GRIFF
This is a ROBBERY. Do WHAT WE SAY --
and NOBODY GETS HURT.
(looks around)
Got it?
Everyone nods, terrified.
Chelle spins around in a slow circle,
aiming her Uzi at them.
CHELLE
Everyone down on the ground, NOW.
ZVI
Sits down at a loan officer’s desk.
Flips open his laptop.
The emergency generator kicks in.
The lights TURN ON --
ZVI
That didn’t take TOO long.
(fingers work the keyboard)
Sorry, Charlie. Only the real tuna
gets to be star-fucked.
And the power SHUTS DOWN.
ATLAS
Approaches the teller windows,
pointing his Uzi with one hand.
Duffle bag in the other.
Evil smile behind the mask.
He THROWS the bag at a
SCARED SHITLESS FEMALE TELLER.
ATLAS
No tricks, no dye-packs,
or you’ll DIE. GOT IT?
(of her terrified nod)
In the bag there’s more bags.
Give ‘em to the other tellers --
and start EMPTYING THE DRAWERS.
GRIFF
Waves his Uzi across everyone on the floor.
GRIFF
Which one of you is the manager?
A SHORT GUY WEARING A SUIT AND GLASSES
raises his hand.
SHORT GUY IN SUIT AND GLASSES
I am.
GRIFF
Let’s go take a trip to the vault.
ON THE STREET IN FRONT
A JAPANESE GANG ON MOTORCYCLES drives by,
bikes dripping with stolen loot.
They SCREECH to a halt.
Turn their heads.
JAPANESE GANG LEADER
Sees what’s happening.
Turns to his Second-In-Command.
JAPANESE GANG LEADER
Looks like our lucky day.
SECOND-IN-COMMAND
Me rob you long time.
They pull out AUTOMATIC WEAPONS
strapped to their backs.
HIT THE GAS and ROAR TOWARD THE BANK --
Tuesday, May 5, 2015
Rockets Red Glare
Happy Tuesday, crime slicksters. It's time once again to take a trip to the dark side, where the girls are hot, the drinks are cold, and the hardboiled-pulp-noir action is non-stop, right here, at the coolest crime joint in cyberspace ... at That Killing Feeling.
In Chapter 2 of BABY HEISTER, Kelsey sits down to dinner with her grandfather Doc and grandmother Jo, where she reveals she wants to become a heister, 'just like her parents' Griff and Chelle, which Doc and Jo deny. Meanwhile, Griff and Chelle prepare to rob a bank by setting off a series of explosions in downtown LA to distract the cops ...
INT. DOC'S FARMHOUSE - KITCHEN - DUSK
Right out of Norman Rockwell.
Enough knickknacks and quaint furnishings
to choke Martha Stewart.
Doc and Kelsey sit at the table
waiting for dinner to be served.
DOC
You do any more thinking about
going back to school?
KELSEY
Why the fuck would I do that?
DOC
Not having a diploma kinda limits
the kinda jobs you can get.
KELSEY
Not if I’m gonna be a heister.
DOC
A heister? Where on earth did you --
Doc’s wife JO (60) approaches the table
with a big tray of food.
Once a great beauty, now a bit faded,
but still tough, with the twinkling eyes
of a con artist.
Which she was.
JO
Dinner’s served.
She sets it down. Sits.
Doc and Kelsey help themselves.
DOC
Thanks, honey. This looks great.
JO
So how was your day, Kelsey?
KELSEY
Okay, I guess.
DOC
Kelsey’s thinking about
taking up a life of crime.
JO
Is that so.
KELSEY
If it’s good enough for Griff and Chelle --
DOC
Now where did you get that idea?
Your parents are in sales.
KELSEY
(snorts)
Yeah, GUN sales.
EXT. DOWNTOWN CITY STREET - DUSK
The armored car stops at a red light.
EXT. AERIAL VIEW OF LOS ANGELES - DUSK
All the lights in the city SHUT OFF.
INT. ARMORED CAR - DUSK
Zvi looks up from his laptop. Smiles eagerly.
ZVI
Let there be DARK.
IN THE FRONT
Griff looks out the window.
Sees the lights are out.
GRIFF
(into his headset)
Copy that, Eagle.
(to Gino)
Better get a move on.
Traffic’s about to clusterfuck.
Gino nods. STEPS on it.
They LURCH into the intersection.
IN THE BACK
Chelle nods at Zvi.
CHELLE
Commence phases two, three and four.
ZVI
Rockets red glare, coming right up.
His fingers start FLYING
across the keyboard.
EXT. UNION STATION - DUSK
A giant EXPLOSION on the front lawn.
A GIANT CLOUD OF BLACK SMOKE
envelopes the building.
Pedestrians RUN, screaming.
INT. UNION STATION - CONTINUOUS
People inside SCREAM. DUCK for cover.
INT. POLICE HEADQUARTERS - DUSK
Complete bedlam. Officers answer phones.
Work computers.
Trying to get control of the situation.
FRONT DESK OFFICER
(on the phone)
I don’t KNOW if it’s connected.
Just send units to Union Station, NOW.
IN THE ARMORED CAR
Zvi looks at Chelle. Gives a thumbs up.
ZVI
Go Metro GONE.
EXT. CITY HALL - DUSK
An enormous EXPLOSION rocks
the front of the building.
A GIANT CLOUD OF BLACK SMOKE
starts enveloping the area.
ZVI (O.C.)
Just fought City Hall --
EXT. STAPLES CENTER - DUSK
A HUGE EXPLOSION rocks the front
of the building with a
GIANT CLOUD OF BLACK SMOKE.
Pedestrians RUN and SCREAM.
ZVI (O.C.)
Swish.
IN THE ARMORED CAR
Zvi looks at Chelle. Smiles.
ZVI
We have a trifecta --
Monday, May 4, 2015
Magic Hour
Hey there, crime kids. Happy Monday. It's time once again to take a trip to the dark side, where your most violent fantasies become sins of the flesh, right here, where the hardboiled action is non-stop, at the coolest crime joint in cyberspace ... at That Killing Feeling.
In Chapter 1 of BABY HEISTER, we meed eighteen-year-old Kelsey Hazard, lazily floating in a swimming hole reading a crime novel, and her grandfather Doc, who tells her it's time for dinner. Meanwhile, unbeknownst to her, her parents Griff and Chelle are about to rob a bank ...
EXT. RANCH - DUSK
TITLE CARD READS: OJAI, CALIFORNIA.
It’s magic hour in the desert.
The mid-summer heat shimmers
in rippling waves in the air.
The crops. The blacktop road.
A small ranch in a green valley.
Giant mountains behind it.
Can you say 'incredible view?'
Old, Spanish mission style house. Big barn.
Rustic pickup truck parked in the drive.
In the distance, a deep blue lake
glows in the fading light.
It’s picture-postcard time, folks.
Doesn’t get much more gorgeous
and idyllic than this.
EXT. LAKE - DUSK
A young WOMAN (18) lies on an inner tube
reading a book, lazily floating on the water.
She takes a hit from a joint. Holds it in.
EXHALES. Turns the page. Riveted.
Meet KELSEY HAZARD, tomboy deluxe.
Pretty, but she’s done everything
she can to hide it.
Her long, sleek black hair
tied tight in a ponytail.
Baseball cap. Shades. Bare lips.
The problem is the tiny bikini
she’s almost wearing.
Her killer figure undulates
around her tall, lean frame. Ouch.
A TALL, OLDER GUY (60) walks out
on the rickety wooden pier.
Meet DOC HAZARD, her grandfather.
Looks like your typical old cowboy.
Except for the Grateful Dead T-shirt
and biker boots.
DOC
Supper’s almost ready.
KELSEY
(eyes on the book)
Be right there.
Just let me finish this chapter.
DOC
(under his breath)
Goddamn crime novels.
If she’d only be as interested
in her school books --
EXT. LOS ANGELES - TEN FREEWAY - DUSK
Clogged with rush hour traffic
heading west toward the beach.
But not so much heading east
into downtown LA.
We see an ARMORED CAR heading that way
in sparse traffic.
It reaches an off ramp, turns, then starts
descending into the dirty City of Angels.
INT. ARMORED CAR - DUSK
Behind the wheel sits GINO CONTI (30’s).
Wiry. Dark-haired. Dark-skinned.
He smiles, chewing on a toothpick.
Turns and looks at the HULKING BRUTE
sitting in the passenger seat.
GINO
Look at that sky. Beautiful.
In the cinema they call it magic hour.
GUY
In my book, they call it money hour.
Meet GRIFF HAZARD (40), heister extraordinaire.
Built like a block of granite.
Face like a potato.
Eyes burning with purpose.
Intense. Mouth a cruel dark slash.
GINO
You wrote book?
What is it about?
Griff stares ahead.
Silent. Watching the road.
IN THE REAR COMPARTMENT
Sits CHELLE HAZARD (39), Griff’s wife.
A gorgeous brunette.
Curvy goblet of sin
poured into a leather catsuit.
Armed to the gills. Packing, too.
She speaks into a headset.
CHELLE
Come in, Houston. This is The Eagle.
Are we cleared for landing? Over.
GRIFF’S
Eyes flicker. Approach a smile.
Don’t quite make it.
GRIFF
(into his headset)
This is Houston. Approaching our target in --
(looks at his watch)
T-minus two minutes. Over.
CHELLE
Smiles grimly. Nods.
CHELLE
Copy that, Houston. Over.
Sitting to her left is HELMUT WOLF (40’s),
expert marksman, German expat.
Dolph Lundgren, without the looks.
HELMUT
I still don’t like space travel names.
Is too silly.
CHELLE
That’s funny.
I don’t remember asking your opinion.
Sitting to her right is ATLAS DEMO (30’s),
medium-height, barrel-chested.
Jet-black hair.
Third generation Greek.
ATLAS
Don’t listen to him.
It’s fucking genius.
Anybody hears us, they don’t know
what the fuck we’re talking about.
ZVI ROZEN (20’s), Israeli
computer hacker extraordinaire.
Hunched over an old-school
briefcase-sized laptop. Looks up.
ZVI
(to Helmut)
You just have chip on shoulder
because you came in job late
because someone dropped out.
You should be GRATEFUL,
not ruining vibe.
CHELLE
Enough bickering.
We need to work as a team, GOT IT?
Helmut and Zvi glare at each other.
Reluctantly nod.
Zvi returns to his laptop.
Starts briskly typing out commands.
CHELLE
(to Zvi)
All set with the power grid?
ZVI
(smiles, gives a thumbs-up)
Like taking electricity from a baby --
Friday, May 1, 2015
Dreams Die Hard
Hey there, crime kids. Happy Friday. It's time once again to take a trip to the dark side, where your most violent fantasies become sins of the flesh, right here, where the hardboiled action is non-stop, at the coolest crime joint in cyberspace ... at That Killing Feeling.
In the final chapter of SPIRAL, things come full circle when Cathy and Andy drive down Sunset Boulevard and see a motorcycle jacket with Savannah's face on it ... and then a homeless person digging through the trash ... who turns out to be Dex ...
EXT. SUNSET BOULEVARD - MAGIC
Super: "One year later."
It's dusk on the strip.
The setting sun flashes off the buildings,
the billboards, the expensive convertibles
with their cell phone drivers.
A 62' silver Porsche with the top down
cruises past the Mondrian hotel
just as huge Kleig lights FLASH on.
INT. CATHY'S PORSCHE - MAGIC
The car stereo plays cool surf-spy music.
CATHY
Must be a premiere party.
ANDY
It's for Independence Day, I think.
CATHY
I bet they spent more on the caterer
than they did on the screenplay.
The car stops at the next light.
ANDY
Did you bring the police report with you?
Cathy points to the back seat.
CATHY
Yeah, its in the sniper case.
Andy leans back and GRABS the
big aluminum attache with an OOF.
ANDY
Jesus, what you got in here?
CATHY
Hey, I'm a chick.
It matches the car.
He CLICKS it open and
pulls out a file folder.
ANDY
Why reopen the case?
After all this time, what do
they think they're gonna find?
A beat. He scans the papers.
CATHY
I was thinking about something
on the way over.
ANDY
What?
CATHY
The doctors pulled the plug
on Shannon at eleven AM.
He looks up.
ANDY
Yeah, so?
CATHY
Well, didn't you tell me that Dex
called you at Playboy around 9:30?
ANDY
Yeah, but what does that...
A beat. Andy realizes what Cathy is suggesting.
The car stops at a light.
EXT. SUNSET BOULEVARD INTERSECTION - HOLLYWOOD - NIGHT
A bit further east into Hollywood.
Billboards have been replaced with
fast food shacks, pawn shops, guitar joints.
A HOMELESS PERSON dumps over
a trash can with a CRASH.
CATHY
I mean, how would he have known?
She'd fired him, they weren't speaking.
A motorcycle ROARS to a stop alongside the Porche,
then drifts a few feet ahead.
The rider's black leather biker jacket has a
big, beautiful, air-brushed picture of
SAVANNAH sprayed on the back of it.
She looks GORGEOUS, beaming, dazzling.
ANDY
Shit! Look!
CATHY
Oh my god!
Andy leans out the window
and YELLS at the rider.
ANDY
Hey! Where did you get that-
EXT. CLOSEUP OF STOPLIGHT - NIGHT
The light changes from red to green.
INT. CAR - NIGHT
The Harley takes off with a ROAR,
drowning Andy out.
Cathy PUNCHES the gas.
EXT. STREET CORNER - NIGHT
Trash everywhere. The homeless person
looks up at the commotion.
CLOSE UP OF HOMELESS PERSON.
It's Dex.
The camera FREEZES.
SMASH CUT TO:
BLACK.
ANDY (V.O.)
The fame, the glamor, the glitz,
it was all I ever wanted.
All I ever dreamed about.
Sometimes you find out that
what you thought you wanted,
what you thought was gonna make you happy,
what was gonna fill that hole in your heart...
turns out to be shit. Fake. Fucked up.
And fucking lethal. Dreams die hard.
(beat)
At least I didn't.
INT. BATHROOM / MIRROR P.O.V. - NIGHT
A BLAST of POUNDING, urgent female-driven technopop.
Shannon, Andy and Dex sit on their bar stools.
Tons of candles flicker.
The counter's jammed with
drug paraphernalia, cocktails.
Shannon's hair is up in a pony tail.
Dex wears Shannon's pink feather boa.
Andy has on her sequined biker cap.
Shannon BLOWS out a big hit of freebase
into the mirror and ROARS.
Dex CLAPS excitedly.
Andy SALUTES.
He raises his glass in a toast.
Shannon and Dex lift their cocktails,
and they CLINK.
FADE OUT.
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